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Operetta in Austria
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The first night audience welcomed this
Fledermaus with enthusiastic applause.
... Anna Siminska (Adele) was the discovery
of the evening. The solo of Susanne Kirbauer was also
sensational.
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.pdf (602 KB)
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A successful Fledermaus: modern, yet thoroughly authentic.
(The Schoenbrunn Fledermaus) sets
a high standard ... Witty insights from the director
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High musical values (Herbert Mogg conducts with both
verve and judicious judgement) and well-chosen soloists
made for an all-round success.
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… A Fledermaus that succeeds
in being both amusing and thought-provoking.
It is played as a timeless comedy …
(by) an ensemble that has been wonderfully put together
… The production keeps illuminating aspects of
the individual characters …
Michael Heim’s elegant, mobile Eisenstein looks
superb and sings fabulously ...
Ingrid Habermann’s Rosalinde is stunning –
she commands operetta style perfectly …
Anna Siminska’s singing as Adele is simply enchanting,
and she moves with charm and grace.
Herbert Mogg draws an authentic Fledermaus
sound from a small, carefully selected band of orchestral
players. The young musicians play the score with such
perfection and stylistic sense, that you’d think
they’d been doing it their whole lives. That comes
from having a conductor who, at the age of 80, knows
better than anybody how operetta should sound …
Fabulous.”
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